Rivers: Holiday a 'dangerous' player

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Rivers: Holiday a 'dangerous' player

PHILADELPHIA Jrue Holiday is not a household name when you talk about the top point guards in the NBA.

But there's at least one coach - Boston Celtics czar Doc Rivers - who could envision that changing soon.

Holiday comes into tonight's game averaging 18.2 points and 9.3 assists - both career highs.

Rivers has seen Holiday's game evolve on several levels, none being more apparent than his scoring ability.

"His shot set him free," Rivers said. "He struggled early on, inconsistent ... people were going under on all his pick and rolls."

But since he began making that shot - similar to what Rajon Rondo has done this season - Holiday has emerged as one of the top up-and-coming players in the East.

"His shot is what allowed him to see the floor more, and makes him so much more dangerous," Rivers said.

But aside from the talent, Rivers believes his most endearing quality is his toughness.

"He comes in to compete, every night," Rivers said. "That doesn't mean a perfect game, but he's a tough guard for us and everyone. He's stronger; you can visually see that. He's just a tough kid, really good player, an all-star player."

Rivers added that as Holiday's game has expanded, so has the way in which the Celtics - and all teams for that matter - prepare to face him.

But Rivers didn't need to see him have a breakout season like this to know that he's a player the Celtics have to concern themselves with tonight.

The approach to dealing with him now is no different than it was when these two met in the playoffs last season.

"We believed in him last year," Rivers said.

Curran: Even after all that's gone down, sun still shines for Brady

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Curran: Even after all that's gone down, sun still shines for Brady

I wasn’t looking to get nostalgic last Thursday. But I got that little twist in the tummy. It was a song that did it. It reminded me of how things were and how things are.

The song was “Beautiful Day” by U2. It was, for a few years, practically a Patriots anthem. It was the first song the legendary Irish band played during its halftime set at Super Bowl 36, a mini-concert that was sad, hopeful, jubilant and defiant all at once. 

It’s not hard to recall what things felt like in early February of 2002.

Five months earlier, the September 11 attacks stripped away the sense of security and insulation we'd come to enjoy as our birthright. Anger, indignation, unity, national pride and a sense of resolve emerged that probably hadn’t been felt in 60 years.

But our new reality also meant a palpable sense of unease, too. Vulnerability.

It was at sporting events in the wake of 9/11 that we got an introduction to how things had changed and how we’d been changed. Armed security, bomb-sniffing dogs, personal searches and patdowns fueled our new trepidation. But once inside, a strength-in-numbers feeling emerged. The vulnerability was replaced by a near-universal sense of community and patriotism. The focus was on what we had in common as Americans, our shared interest in being safe and maintaining who we were.

The feeling isn’t quite the same now, is it? A lot’s changed.

It was near the end of that Thursday practice that the song came on. Blaring. It was supposed to replicate crowd noise during an 11-on-11 drill but it had the additional impact of causing me to reflect on that time and Tom Brady.

Brady was standing behind the offense watching rookie Jacoby Brissett take the reps at quarterback. Next to Brady was Jimmy Garoppolo.

Brissett was 9 years old when U2 played at that Super Bowl while Brady sat in the visitor’s locker room at the Superdome, improbably in possession of a 14-3 lead and 30 minutes from taking the first step on the road from “cool story” to “legend.” Garoppolo was 11.

How many rookie quarterbacks has Brady seen come and go since he was a rookie himself in 2000? How many backups has he dispatched since Brady himself was a backup in 2001? A lot.

He’s so far removed from the 24-year-old kid who, upon winning the MVP in that Super Bowl, put his hands to his head in beaming disbelief.  Does he think about that game? That atmosphere? That song?

That was an amazing day. I remember the military presence all week in New Orleans and on Super Bowl Sunday especially. Soldiers with M-16s surveyed and patrolled all along inside the barriers set up outside the Superdome. Inside, the Patriots were the ultimate Cinderella team going against a dynasty-in-waiting. They were -- hard as it is to believe now almost 15 years later -- beloved nationally. And the country didn’t hate Boston fans then, either. They mostly felt bad for us because of the constant sports heartbreak.

There were emotional juxtapositions that day -- from U2's moving halftime tribute to those killed on 9/11 to the Patriots stunning win -- that by the end felt cathartic. It was like an Irish wake.   

Brady doesn’t beam too often anymore. At least not publically. He’s got 17 years in the league, 16 minicamps, four Super Bowl wins, two Super Bowl losses, three Super Bowl MVPs and two league MVPs under his belt. The novelty’s worn off some.

There’s also the matter of the NFL itself deciding it would bring the franchise that went from Cinderella to Godzilla to heel by over-prosecuting the team in 2007 and trumping up charges against Brady himself in 2014.

Can’t beat ‘em? Delegitimize ‘em.

For Brady to find himself a reviled athlete, a target of the league office, a media piñata must have been beyond comprehension.

But on Thursday, there was a sign that maybe he’s making some peace with that, too.

The person who was at a loss for words in an uncomfortable 30-minute press conference a year ago January, who set his jaw and refused comment last summer walking in and out of New York courthouses, who welled up in September talking about the impact the investigation had on Jim McNally and John Jastremski . . . that guy actually walked past the media on Thursday when practice was over.

He didn’t stop. He only smiled and waved a few hellos. But compared to last year, when he’d exit the practice fields 100 yards from the media and didn’t speak from the Super Bowl until September, this was a departure.

There is no bigger point I’m trying to make here about football, patriotism, party politics, the decline of civility or the Patriots being a national treasure or blight.

All this was just something that occurred to me last Thursday. Which just so happened to be the first legitimately beautiful day of the year. 

Unlike Wakefield, Wright has helping hands with Red Sox

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Unlike Wakefield, Wright has helping hands with Red Sox

BALTIMORE -- Near the start of his Red Sox career, Tim Wakefield -- who would wind up pitching 17 years for the club and would tie for the most number of wins in franchise history -- was largely on his own.

One of Wakefield's first pitching coaches in Boston, Joe Kerrigan, regarded knuckleballers as little more than freakish performers.

When Wakefield encountered mechanical issues, Kerrigan could offer little assistance. The pitch was unpredictable, and in Kerrigan's mind, so was the pitcher. The same rules that helped Kerigan dissect and analyze a conventional pitcher's issues wouldn't work with Wakefield.

That frustrated both coach and pitcher, as Wakefield was left to fend for himself.

More than once, as Wakefield foundered, Kerrigan essentially told him: "There's nothing I can do to help you; you're on your own.''

Steven Wright has far more at his disposal, and it's one of the reasons Wright has enjoyed a run of consistency that often eluded Wakefield. There's help available, assistance that Wright readily takes full advantage of.

If throwing a knuckleball hasn't exactly developed into a science, it's certainly far more advanced than it was in 1995, when Wakefield arrived in Boston.

In the middle of a season that has seen him post an ERA of 2.45 and toss a league-best three complete games, Wright has has developed his game fully.

He regularly changes speeds with the knuckler, adding one more complicating factor to an already mystifying pitch.

Depending on the conditions, the hitter, and the score, Wright can either add or subtract to the velocity of his signature pitch. On Monday, when he limited the Orioles to two runs on four hits in a 7-2 Memorial Day victory, he offered knuckleballs as slow as 59 mph and fastballs as fast as 83 mph.

"I like it,'' said Wright, "especially against a lineup like [the Orioles]. They're a very aggressive team. In that inning they scored the two runs (the fifth), I kind of got caught up in the same speed. So I kind of went out there after that and concentrated on not throwing too many at the same speed. It kind of throws them off, because I'm hoping that if I leave one up, the difference in the speed will get them out front.''

But perhaps Wright's biggest step forward this season -- the first in which he began the season as a full-time starter in the rotation -- is the ability to detect and correct flaws within a game, sometimes within an inning. Again, this stands in stark contrast to Wakefield, who was notoriously streaky. When Wakefield was trending in a positive fashion, both he and the club could only hope that it continued. When he hit a rut, however, there was telling how long he would scuffle, unable to reverse his downhill slide.

Wright has no such issues. He can often tell -- and if he doesn't, pitching coach Carl Willis can help -- when his delivery has gone askew. Better yet, he knows what he needs to do immediately to correct it.

"Absolutely,'' agreed Wright. "It's my fifth year doing it and I've worked tirelessly with Wake and [bullpen coach Dana Levangie] and Carl and that's one thing we've concentrated on, is staying within that delivery. Because it's all about staying relaxed and repeating my delivery -- especially for me, but really, any pitcher. Because I'm getting more years, more reps, it's become a little more easier to make an adjustment pitch-to-pitch.''

"He's shown that [ability] in a number of starts this year,'' said manager John Farrell. "That's a testament to someone who knows more about himself, to have those checkpoints.''

Ironically, it was Wakefield himself -- who got so little help for periods of his own career -- who offered Wright a key checkpoint last season.

"He had me move my hands back,'' recalled Wright. "What it does is, it helps me lock my shoulders in a place so I don't get rotational. That's one of the biggest things because if I started feeling that I'm getting rotational, then there's something off.

"It could be a number of things, but I feel like that's the biggest adjustment that I made. It's a small one, but it's huge in keeping everything within reason. Because I'm not a power pitcher, I don't need to reach back and get something (extea in terms of velocity) so when I do throw a fastball, it's the same mechanical look.''

Wright seemed on the verge of becoming undone in the second inning Monday. With two outs, he walked two hitters, allowed an infield single and loaded the bases.

But from the dugout, Willis noticed that Wright was rushing with his delivery.

''I had a hard time [noticing] it,'' said Wright, "but he could definitely see it. We work tirelessly, especially when Wake is around, to try to find some mechanical things so Carl can help me out if I need it. Same thing with [catchers Ryan] Hanigan and [Christian] Vazquez -- they see it too, because I'm throwing to them all the time.''

All of which has Wright among the game's ERA leaders and tied in the complete game category with the likes of Chris Sale, Johnny Cueto and Clayton Kershaw.

"I definitely sometimes pinch myself," he said, "like, 'Man, is this real?' "

Big weekend: Timberlake likes Gronk's moves; Edelman cries 'Free Brady'

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Big weekend: Timberlake likes Gronk's moves; Edelman cries 'Free Brady'

Rob Gronkowski has never been one to keep his dance moves from the public eye. While he's received a wide range of critiques -- the body-slamming of one of his brothers in Las Vegas was not quite as well-received as his girating on a Duck Boat early last year -- the compliment he received this weekend will be hard to beat.

In Nantucket with teammate Julian Edelman, Gronkowski got on stage to dance to Justin Timberlake's new song "Can't Stop the Feeling." When the artist found the video on Twitter, he gave the Patriots tight end a social-media thumbs up in the form of the hashtag "#thosemovestho".

Gronkowski had an eventful day for himself -- with camera phones seemingly recording his every move -- as did Edelman, who began the weekend in Boston at the Boston Calling music festival to scream "Free Brady!"