From Comcast SportsNetNEW YORK (AP) -- With the eye of an art history major, Steve Sabol filmed the NFL as a ballet and blockbuster movie all in one.Half of the father-son team that revolutionized sports broadcasting, the NFL Films president died Tuesday of brain cancer at age 69 in Moorestown, N.J. He leaves behind a league bigger than ever, its fans enthralled by the plot twists and characters he so deftly chronicled."Steve Sabol was the creative genius behind the remarkable work of NFL Films," NFL Commissioner Roger Goodell said in a statement from the league confirming Sabol's death. "Steve's passion for football was matched by his incredible talent and energy. Steve's legacy will be part of the NFL forever. He was a major contributor to the success of the NFL, a man who changed the way we look at football and sports, and a great friend."Sabol was diagnosed with a tumor on the left side of his brain after being hospitalized for a seizure in March 2011.When Ed Sabol founded NFL Films, his son was there working beside him as a cinematographer right from the start in 1964. They introduced a series of innovations taken for granted today, from super slow-motion replays to blooper reels to sticking microphones on coaches and players. And they hired the "Voice of God," John Facenda, to read lyrical descriptions in solemn tones.Until he landed the rights to chronicle the 1962 NFL championship game, Ed Sabol's only experience filming sports was recording the action at Steve's high school football games in Philadelphia."We see the game as art as much as sport," Steve Sabol told The Associated Press before his father was inducted into the Pro Football Hall of Fame last year. "That helped us nurture not only the game's traditions but to develop its mythology: America's Team, The Catch, The Frozen Tundra."The two were honored with the Lifetime Achievement Emmy from the National Academy of Television Arts and Sciences in 2003. In his career, Steve Sabol won 35 Emmys for writing, cinematography, editing, directing and producing -- no one else had ever earned that many in as many different categories."Steve Sabol leaves a lasting impact on the National Football League that will be felt for a long time to come," NFL Players Association executive director DeMaurice Smith said. "His vision and innovation helped make him a pioneer the likes of which the NFL has never seen before and won't see again."He was the perfect fit for the job: an all-Rocky Mountain Conference running back at Colorado College majoring in art history. It was Sabol who later wrote of the Raiders, "The autumn wind is a pirate, blustering in from sea," words immortalized by Facenda.The Sabols' advances included everything from reverse angle replays to filming pregame locker room speeches to setting highlights to pop music."Today of course those techniques are so common it's hard to imagine just how radical they once were," Steve told the AP last year. "Believe me, it wasn't always easy getting people to accept them, but I think it was worth the effort."His efforts extended beyond his work as a producer, including appearances on screen and in public to promote NFL Films' mission.An accomplished collage artist, Sabol exhibited at the ArtExpo in New York, the Avant Gallery in Miami, the Govinda Gallery in Washington, the Milan Gallery in Fort Worth, Texas, and the Garth Davidson Gallery in Moorestown, N.J."Steve was a legend in this business -- a dynamic, innovative leader who made NFL Films the creative force it is today," ESPN President John Skipper said. "The work he and his dedicated and talented team create every day is one of the many reasons why so many more fans love the game of football today."Sabol is survived by his wife, Penny; his son, Casey; his parents, Audrey and Ed; and his sister, Blair. The NFL said there would be a private funeral.
ST. PETERSBURG, Fla. -- This is the kind of season it has been for Clay Buchholz:
A little more than a month ago, he was merely taking up space on the Red Sox roster, having been summarily removed from the rotation after three months of poor outings.
He was in the bullpen, but the Sox were loathe to use him. Asked, memorably, why Buchholz hadn't been the choice to serve as a long reliever in a game in which the starter departed early, John Farrell candidly noted, in not so many words, that because the Sox still had a chance to win the game, Buchholz didn't make sense as an option.
But slowly, Buchholz became more effective in his new relief role. And when injuries struck the rotation, Buchholz got himself three cameo starts, during which he posted a 2.70 ERA in 16 2/3 innings, topped by Tuesday's beauty -- 6 1/3 innings, one run allowed, nine strikeouts recorded.
Just as Buchholz has straightened out, however, Red Sox starters are suddenly stacked up like jets waiting for clearance to land at Logan Airport. Steven Wright returns from a brief DL stint Friday, and Eduardo Rodriguez is not far behind.
When he pitched poorly, the Red Sox didn't have any other options.
When he pitched well, the Red Sox have plenty of other choices.
So, now what?
"As far as Clay goes,'' said John Farrell, "this will be, I'm sure, a conversation (had) within (the organization). But setting that aside, he's throwing the ball exceptionally well right now.''
But the question remains: In what capacity will he throw the ball in the near future?
There's been a suggestion to keep Buchholz in the rotation while moving Drew Pomeranz to the bullpen. That would give the Sox a dependable lefty in relief -- as opposed to, say, Fernando Abad -- while also serving the dual purpose of putting a governor on Pomeranz's climbing innings total.
Pomeranz, who has plenty of bullpen experience in the big leagues, has also thrown 140 1/3 innings this season, eclipsing his previous major league high by nearly 40.
But Pomeranz is 27, not 21. He's shown no signs of fatigue. To the contrary, he's 2-0 with a 2.25 ERA in his last four starts. The Sox shouldn't mess with his success.
Instead, Buchholz should become one of the team's high-leverage set-up weapons, available in the seventh or eighth inning.
True, Buchholz doesn't have the swing-and-miss capability you'd prefer to have in the eighth inning, where the fewer balls put in play, the better off you are. But he can get lefties and righties out, and, pitching out of the stretch full-time, he's greatly improved his command.
Buchholz would remain the best option for a spot start if one of the five Red Sox starters faltered or got hurt. But the bullpen remains the best choice for him.
Ironic, isn't it? When he pitched poorly, he remained in the rotation for several months. Now that he's pitching superbly, he can't earn a permanent spot.
It's been that kind of season.
Every weekday until Sept. 7, we'll take a look at each player at the Celtics roster: Their strengths and their weaknesses, their ceiling and their floor. We continue today with Terry Rozier. For a look at the other profiles, click here.
BOSTON -- Terry Rozier has every reason to feel good about himself after this year's Summer League, where he was clearly the Boston Celtics’ best player.
But what does Summer League success really mean in the grand scheme of things?
This isn’t the Olympics, where a good couple of weeks in the summer can lead to sudden endorsement opportunities. And a bad summer, on or off the court, won’t necessarily result in your personal stock taking a Ryan Lochte-like dip, either.
For Rozier, the summer has been a continuation of his emergence during the playoffs last season against the Atlanta Hawks, when his numbers were significantly better across the board in comparison to what he did during the regular season.
And while his role at this point remains uncertain, there’s a growing sense that what we saw in the summer was more than just Rozier making the most of his opportunity to play.
It was the 6-foot-2 guard playing with the kind of confidence and overall swagger that Boston hopes to see more of in this upcoming season.
The Ceiling for Rozier: Most Improved Player, Sixth Man candidate
Rozier never wanted to see teammate Avery Bradley suffer a hamstring injury in Game 1 of Boston’s first-round series with Atlanta last season. But he knows if not for that injury, he wouldn't have played as much as he did, nor would he be viewed as someone who could seriously compete for minutes this season.
That injury afforded Rozier playing time he had not seen in the 39 regular-season games he appeared in, when he averaged 8.0 minutes per contest.
In the playoffs, Rozier saw his playing time increase to 19.8 minutes per game, which naturally led to a rise in all of his statistics.
It did more than help the Celtics compete with the Hawks. It provided a huge confidence boost for Rozier this past summer and will do the same going into training camp, where he believes he will be better-equipped to compete for playing time.
Rozier already plays above-average defense for the Celtics. The big question mark for him has been whether he can knock down shots consistently. It certainly didn’t look that way during the regular season, when he shot 22.2 percent on 3s and just 27.4 percent from the field.
Although the sample size is much smaller, he was able to shoot 39.1 percent from the field and 36.4 percent on 3s in the five playoff games he appeared in this past spring.
So both Rozier and the Celtics feel good about the fact that his game in key areas such as shooting and assists are trending in the right direction.
And if that continues he'll solidify a spot high atop the second unit, which could translate into him having a shot at garnering some Most Improved Player recognition.
The Floor for Rozier: Active roster
While his minutes may not improve significantly from a year ago, Rozier will likely enter training camp with a spot in Boston’s regular playing rotation.
On most nights the Celtics are likely to play at least four guards: Isaiah Thomas, Avery Bradley, Marcus Smart and Rozier.
Look for him to get most of the minutes left behind by Evan Turner, who was signed by Portland to a four-year, $70 million deal this summer.
Of course, Rozier’s minutes will be impacted in some way by how those ahead of him perform. But Rozier can’t consume himself with such thoughts.
He has to force the Celtics’ coaches to keep him on the floor, And the only way to do that is to play well and contribute to the team’s success in a meaningful way.
While his shooting has improved, Rozier is at his best when he lets his defense dictate his play offensively.
In the playoffs last season, Rozier averaged 1.2 fast-break points per game, which was fifth on the team.
Just to put that in perspective, Rozier averaged 19.8 minutes in the postseason. The four players ahead of him (Bradley, Thomas, Turner and Smart) each averaged more than 32 minutes of court time per night.
While it’s too soon to tell where Rozier fits into the rotation this season, his play this summer and overall body of work dating back to the playoffs last season makes it difficult to envision him not being on the active roster for most, if not all, of this season.
Here are all the links from around the hockey world, and what I’m reading with the Olympics coming to a close . . .
-- FOH (Friend of Haggs) Kirk Luedeke sorts through the aftermath for the Bruins after losing out on Jimmy Vesey.
-- Detroit Red Wings GM Ken Holland gave an interview where he said the Red Wings aren’t Stanley Cup contenders this season.
-- Related to Holland’s comments, some of the media in Detroit aren’t taking the dose of reality all that well.
-- It’s a big season for New Jersey Devils forward Kyle Palmieri, who will be starring for Team USA on the World Cup team.
-- PHT writer Cam Tucker says the Buffalo Sabres still have a strong group of forwards even without Jimmy Vesey.
-- Jamie Benn is giving everything to his Dallas Stars team, and that means that the World Cup of Hockey is taking a backseat.
-- The Colorado Avalanche are nearing the end of their head coaching search as they look for their replacement for Patrick Roy.
-- For something completely different: NBC is making the argument that millenials watched the Olympics, but just not on the traditional formats.